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ALL Book Reviews Essays Migration The Nation

Who Gets to be British?

For The Nation, I write about about the Windrush scandal, the peril and the possibility documents hold for migrants and for scholars, and Hazel Carby’s “Imperial Intimacies,” a personal history of empire, race and so-called Britishness.

“The Windrush story—from the arrival of the first British Caribbeans to the piercing betrayals suffered by their descendants—goes to the existential heart of what it means to be British. David Lammy’s moment in Parliament pointed to the central dilemma for any descendant of Windrush in telling that story: It is a political one but also one inseparable from personal trauma. In her recent book Imperial Intimacies, Hazel Carby, a Windrush descendant, gives us both, narrating the struggle of black Britons to be accepted as British as well as the story of her own mixed-race family extending back to the 18th century. She frames her arguments as Lammy did, in the long arc of history that starts with the British slave trade and continues into the present. Wrestling with the ambiguities of her family history and the correct (as well as bearable) ways to use the personal, she forces us to rethink the very meaning of British identity, for both white and black Britons. One cannot understand British society today without understanding the role that racialization and empire have played in forming it.”

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ALL Essays The New York Review of Books

The Jonestown We Don’t Know

An aura of contingency continues to surround Jonestown, so often portrayed as the tale of a lone madman, a charismatic crackpot who imploded in a random heart of darkness. In truth, as I have come to learn, Jonestown does not point to a singular erratic Svengali but, rather, to fundamental aspects of both my adopted and my home countries. About 70 percent of the community’s 914 dead were African Americans, whose precarious place in the country of their birth made them responsive to pitches to leave it. Their individual stories have been lost in the commemorations, an erasure that also obscures the systemic character of what unfolded. America in the 1970s was still so warped by the legacies of slavery that it inspired the followers of Jim Jones to dream elsewhere, and Guyana’s politics at the time made it fertile ground for their dreaming. 

Read more in my essay for The New York Review of Books Daily.

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ALL Essays The New York Review of Books

“The Soul as a Picture Gallery”

The Metropolitan Museum of Art
Studio Portrait by an unknown American photographer, 1940s–1950s

For The New York Review of Books, I wrote about a Met exhibition of African-American portraits found at flea markets and other resting places for the forgotten. “Though salvaged, the images remain tinted by this history, their anonymity like a kind of sepia.“

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ALL Book Reviews Essays The Boston Review

Masters and Servants

For the Boston Review, I write on novels by Neel Mukherjee and V.S. Naipaul and one odd winter in New Delhi that left me unhoused in my own skin.  I consider whether, “in the curved space-time of global history, migration can crack open wormholes to freedom from old rigidities and entitlements,” including the barriers of gender, class and caste.

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Essays

Paperback Writer

For the Guardian’s Paperback Writer series, I write about my strategies for overcoming gaps and biases in the government archives that document indenture: “The stealing of the voices of indentured women, born into the wrong class, race and gender to write themselves into history, was structural. How could I write about women whose very existence the official sources barely acknowledged? To enter their unknown and to some extent unknowable history, I had to turn to alternative, unofficial sources.”