Category: Book Reviews

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ALL Book Reviews Migration The New York Times Book Review

Writers Retreat

Imagine an 18th-century London town house, once a fashionable address but recently home to successive huddled masses: Jewish refugees, Irish then Bangladeshi then Somali immigrants. Now fill that house with 30 foreign writers who have fled oppression and violence, all asylum seekers specially chosen for favored treatment. Call them “fellows.” Hang identity cards, with their mug shots petrified in plastic, around their necks. Appoint a chairman whose paranoia and megalomania recall, in madcap picayune, the dictators who tortured and imprisoned many of them. Outfit the house with security cameras that scan the corridors, the surveillance tapes complemented by the human watchfulness of ever-­solicitous volunteers. What you have is the premise for “The House of Journalists,” the former BBC reporter Tim Finch’s clever debut novel.

In an outburst toward the novel’s end, when one fellow disappears along with all traces that he existed, the power-­obsessed chairman name-drops Orwell, an unsubtle clue to Finch’s ambitions as a political satirist and his interest in language as a political tool. But aspects of his novel bear more resemblance to the “Big Brother” of global reality television than to “1984.”

Continue reading my review in The New York Times Book Review.

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Book Reviews Ms. Magazine

Pink Sari Revolution

Pink Sari Revolution, by Amana Fontanella-Khan, tells the story of the Gulabi Gang.

The gang’s story—of poverty-stricken, unlettered women standing up for themselves, struggling against centuries-old misogyny—inspires. “Hope is a very big thing,” one elderly member says. “Sampat gave it to us every time she came to the village.” Still, it needs to be asked how truly revolutionary the Gulabi Gang is—or can be—and the author doesn’t step back from storytelling to do so. In her account of a widow horrifically mistreated, then evicted, by her in-laws, she misses opportunities to explore the gang’s limits and thus risks overstating their impact. Read my  review in the Summer 2013 Ms. Magazine. 

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Book Reviews Migration Ms. Magazine

The Cooked Seed

The Cooked Seed traces Anchee Min’s evolution from a woman with shattered self-esteem to one with brass enough to have a child when she wanted, although her Chinese-immigrant partner didn’t, and then to divorce him and find love with an American, a Vietnam veteran. Like him, Min suffered from post-traumatic stress disorder, and her prose bears the marks. Her book reads like the testimony of a woman who, in coping with haunting memories she’d rather suppress, swings between remembering too much and too little. Therefore, she simply tells it as it happened, in the order it happened, all of it. See my full review of the book in Ms. Magazine’s Spring issue.

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Book Reviews The New York Times Book Review

Tale of a Puerto Rican Plantation Mistress

The New York Times Book Review, July 17, 2011 – Conquistadora‘s strength is its Rubik’s Cube portrait of Ana, an unconventional, ambitious woman whose attitudes toward children, slaves and lovers are so perplexing, they kept me riveted. Ana isn’t much of a mother, but she takes in a humpbacked baby girl abandoned on her doorstep the same day she trades her own son away in order to keep running the plantation. She’s a liberal mistress, expressing interest in the African songs her maid sings and allowing the slaves’ midwife to deliver her son. (“We all look and function pretty much the same down there,” she declares.) Yet she achieves freedom by exploiting those who, starkly, lack it. Noting that none of her slaves have challenged her, Ana reflects: “But of course, they could. . . . She would, if she were one of them.”

Is Ana believable? Esmeralda Santiago, the author who created her, herself has asked that question. “I worried that I was creating a character who would have been impossible in that time and that place,” she said in an interview on her publisher’s Web site. In fact, a small percentage of women did own or control plantations in the Caribbean. Whether the obstacles they faced in a world dominated by white men sensitized them to the oppression of slaves is another question entirely. White women in the 19th-century Caribbean were largely silent on the subject of slavery. Most who spoke publicly, defended it. With her tough portrait of a female planter, Santiago speculates, charitably but unromantically, about those who didn’t speak.

Continue reading my review of the novel here.

Categories
ALL Book Reviews The New York Times Book Review

Homeland Revisited

The New York Times Book Review – In the middle of his accomplished book, “India Calling,” Anand Giridharadas tells of meeting a Maoist revolutionary in Hyderabad. The city, nicknamed Cyberabad, serves as a base for both the globalized Indian economy and an armed insurgency at war against the country’s inequalities, rooted and new. India’s Maoist — or Naxalite — movement began as a rural struggle against exploitative landlords in a caste-conscious, socialist nation but has now arrayed itself against the forces of global capitalism reshaping India. When Giridharadas pushes the Naxalite — What does one fight have to do with the other? — the man answers with a striking notion: globalization is reducing people to their specific economic task, stripping them of their humanity, just as caste had done. And software engineers in gated communities have become the new Brahmins. Giridharadas follows the curve of this argument, allowing it to seduce us. Then, he reveals that this rebel, although waging revolution by night, reports by day for a newspaper he himself describes as a shill for the multinational transformation of India. “I have to earn my lunch,” the man explains. “I’m not a whole-timer for revolution.”

The scene accentuates Giridharadas’s appeal as a writer. “India Calling” has what Hanif Kureishi once described as “the sex of a syllogism.” Full-figured ideas animate every turn. So, simultaneously, does Giridharadas’s eye for contradiction. The combination both pleases us and makes us wary — distrustful of shapely ideas, including the author’s own.

Continue reading my piece in this past Sunday’s New York Times.