For The Nation, I write about Karla Cornejo Villavicencio’s experiment with magical realism in The Undocumented Americans. She goes beyond conventional reportage to mirror the surreal ways in which the undocumented experience their lives. Her work exposes the unsustainable fiction built into the economic and political systems that invite the labor of the undocumented into the country but fail to protect them once here. The pandemic has only sharpened this structural fabulism.
To commemorate the late poet Meena Alexander’s life and legacy, Feminist Press has reissued her brilliant and gutting memoir Fault Lines. This new edition includes an afterword by me, “A House Filled with Women,” paying tribute to Meena. Here’s the Asian American Writers Workshop on the afterword and the reissue.
In this short essay for The Guardian, I tell the story of the British overthrow of the democratically elected government in Guiana, its sole colony in South America, in 1953. The piece engages with the conversation in the United Kingdom around attempts to rehabilitate and revise the history of empire and imperialism.
“The parable of the misconstrued red flag was as true for 1953 as for 1964, when it was fact. It imparts a lesson about the tragic consequences of outsiders misunderstanding Guyana’s landscape. That year, there was a shining moment of utopian possibility in the colony, and the emergency fractured its politics in ways sadly still evident. The most recent election was resolved in August after five months of impasse, with racialised violence a spectre throughout. Significant reserves of oil, discovered by Exxon five years ago, have created stakes for the rest of the world. Guyana still amounts to its resources for some. For those of us who carry the wounds of 1953 within us, as the heirs of divide-and-rule, the stakes have always been clear and heartbreaking.”
For The New York Times Book Review, I consider poet Quyen Phan Que Mai’s debut in English, the novel “The Mountains Sing.”
For The Nation, I write about about the Windrush scandal, the peril and the possibility documents hold for migrants and for scholars, and Hazel Carby’s “Imperial Intimacies,” a personal history of empire, race and so-called Britishness.
“The Windrush story—from the arrival of the first British Caribbeans to the piercing betrayals suffered by their descendants—goes to the existential heart of what it means to be British. David Lammy’s moment in Parliament pointed to the central dilemma for any descendant of Windrush in telling that story: It is a political one but also one inseparable from personal trauma. In her recent book Imperial Intimacies, Hazel Carby, a Windrush descendant, gives us both, narrating the struggle of black Britons to be accepted as British as well as the story of her own mixed-race family extending back to the 18th century. She frames her arguments as Lammy did, in the long arc of history that starts with the British slave trade and continues into the present. Wrestling with the ambiguities of her family history and the correct (as well as bearable) ways to use the personal, she forces us to rethink the very meaning of British identity, for both white and black Britons. One cannot understand British society today without understanding the role that racialization and empire have played in forming it.”