For The Los Angeles Review of Books, I wrote about a collaborative effort to rescue a rare literary text: “… footnotes are where history shows its true colors: they reveal how power, held or withheld, has muted the contributions of people like Edmonstone. To be called a footnote to history is usually a put-down. I would, however, like to rehabilitate a footnoted existence, somewhat, in this essay. To be footnoted is to be cited, and to be cited is to be published. Lal Bihari Sharma, author of the 1915 songbook Damra Phag Bahar, or Holi Songs of Demerara, also could have declared: footnotes know me. First-person testimony, written by indentured immigrants, is rare: only three literary texts about the system that replaced slavery in the British Empire, by laborers who experienced it personally, are known to exist. Holi Songs of Demerara is the only one to emerge from the English-speaking Caribbean.”
MUSIC OF THE GHOSTS
By Vaddey Ratner
324 pp. Touchstone. $26.
Vaddey Ratner calls each of the three parts of her tenaciously melodic second novel a movement. And indeed this story of an orphaned Cambodian refugee’s return to her homeland does have a symphony’s elevating effect on emotion. Ratner stirs feeling — sorrow, sympathy, pleasure — through language so ethereal in the face of dislocation and loss that its beauty can only be described as stubborn.
Continue reading in the NYTBR.