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Book Reviews Migration Ms. Magazine

The Cooked Seed

The Cooked Seed traces Anchee Min’s evolution from a woman with shattered self-esteem to one with brass enough to have a child when she wanted, although her Chinese-immigrant partner didn’t, and then to divorce him and find love with an American, a Vietnam veteran. Like him, Min suffered from post-traumatic stress disorder, and her prose bears the marks. Her book reads like the testimony of a woman who, in coping with haunting memories she’d rather suppress, swings between remembering too much and too little. Therefore, she simply tells it as it happened, in the order it happened, all of it. See my full review of the book in Ms. Magazine’s Spring issue.

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ALL Articles Foreign Coverage Ms. Magazine Politics

“Should My People Need Me”

My profile of Burmese dissident Aung San Suu Kyi runs on the cover of Ms. Magazine’s Winter 2012 issue. The woman who has long personified the fight for democracy and human rights in Burma has finally decided to engage with one of the world’s most repressive regimes. The Nobel Peace Prize laureate is running for a seat in a parliament created by the military junta that put her under house arrest for almost two decades, after stealing an election from her. Read about the challenges facing her as she attempts a shift from moral icon to politician. As she told Congressman Bill Richardson in 1994, “I look upon myself as a politician, and that isn’t a dirty word, is it, Congressman?”

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ALL Essays Migration Nieman Reports

Writing a Life, Living a Writer’s Life

The Winter 2011 issue of Nieman Reports, a publication of the Nieman Foundation for Journalism at Harvard University, focuses on books and the book industry. It features an essay by me on discovering that, as the German critic Theodor Adorno put it, “in exile, the only house is that of writing.”

 

Categories
Book Reviews The New York Times Book Review

Tale of a Puerto Rican Plantation Mistress

The New York Times Book Review, July 17, 2011 – Conquistadora‘s strength is its Rubik’s Cube portrait of Ana, an unconventional, ambitious woman whose attitudes toward children, slaves and lovers are so perplexing, they kept me riveted. Ana isn’t much of a mother, but she takes in a humpbacked baby girl abandoned on her doorstep the same day she trades her own son away in order to keep running the plantation. She’s a liberal mistress, expressing interest in the African songs her maid sings and allowing the slaves’ midwife to deliver her son. (“We all look and function pretty much the same down there,” she declares.) Yet she achieves freedom by exploiting those who, starkly, lack it. Noting that none of her slaves have challenged her, Ana reflects: “But of course, they could. . . . She would, if she were one of them.”

Is Ana believable? Esmeralda Santiago, the author who created her, herself has asked that question. “I worried that I was creating a character who would have been impossible in that time and that place,” she said in an interview on her publisher’s Web site. In fact, a small percentage of women did own or control plantations in the Caribbean. Whether the obstacles they faced in a world dominated by white men sensitized them to the oppression of slaves is another question entirely. White women in the 19th-century Caribbean were largely silent on the subject of slavery. Most who spoke publicly, defended it. With her tough portrait of a female planter, Santiago speculates, charitably but unromantically, about those who didn’t speak.

Continue reading my review of the novel here.

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ALL Essays The Virginia Quarterly Review

“Coolie Women Are in Demand Here”

The Virginia Quarterly Review, Spring 2011 – Our journey took us past endless fields of flowering yellow along the northern banks of the Ganges. When we pulled into towns, we asked for directions, from children balancing loads three times their size on their heads, from crouching women tending baskets of cauliflower and eggplant by the roadside, from men in the stores that stared open-faced onto the street, framing a tailor at his sewing machine or a man pumping air into bicycle tires. We sought the guidance of random people on the route, turning to them as to a massive human compass. And they obliged. They pointed us along bumpy roads bracketed by tiny pastel altars made to worship the sun, until one man finally indicated a rocky path. “That way,” he said.

We had traveled five hours over shell-shocked roads and narrow dirt lanes to arrive here, at the threshold of a place I wasn’t even sure still existed. It did a century ago. That’s what a document that I had discovered two years earlier, in Guyana’s national archives, indicated. It was the emigration pass issued to my great-grandmother on July 29, 1903, the day she sailed from Calcutta to the Caribbean.

Catalogued on this brittle artifact, yellow and crumbling with age, was everything about Immigrant #96153 that the imperial bureaucracy had considered worth recording: “Name: Sheojari. Age: 27. Height: five-feet, four-and-a-half inches. Caste: Brahman.” Here was colonial officialdom’s cold summary of an indentured laborer’s life. Yet, it included strokes of unsettling intimacy. The emigration pass told me that my great-grandmother had a scar on her left foot, a burn mark. Someone had scribbled “Pregnant 4 mos” in pencil at the document’s edge. On the line for husband’s name, there was only a dash.

Continue reading in the Spring 2011 issue of VQR. The excerpt was reprinted in India in the Sept. 2011 issue of The Caravan. You can read the excerpt in full here, at the Caravan’s Web site.